Visiting the grave, at last やっとの事で


This month I finally got to visit the grave of my mother’s natal home.  It was the fourth try since I first planned it.  I was almost angry with my grandpa, suspecting if he didn’t want me to come and visit him.

When I was preparing the offerings for the ancestors, a lady came and talked to me.  I was sorry I didn’t remember her, because she was one of my distant relatives.

I then had a new idea that maybe he tried to make me come at that time of that day.

In the spring sunlight/

Only dusts are dancing in the air/

What never changes/

Is Mother’s hometown/

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今月に入ってようやく母の実家のお墓参りに行きました。初めに計画したときから数えると4回目でした。もうだいぶクサっていましたよ。おじいちゃんは私に来て欲しくないのか!? とか。


おじいちゃんは、この日、このときにおいで、と呼んでくれたのか? と思い直しました。

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yushokai について

I live in Kyoto, Japan, where I was born and raised. I began practicing calligraphy at age six under the late Mr. Akiyama Kodo, a distinguished master of calligraphy whose calligraphic works are found even today on stone monuments for public parks and fasciae for long-established businesses. Despite my age, I think I am increasingly active in my calligraphic practice. "My works give the impression of lightheartedness and overflowing vitality, evoking the dance of air and the flow of clear water" is what people tell me, I am happy and proud to tell you. My distinct style has attracted many followers both domestic and abroad. Having continued for over half a century to be evolving as a calligrapher, I am never willing to compromise. May accomplishments: Solo exhibition, 2009 and three group exhibitions in Kyoto, Japan (2011, 2013, 2015) Participation in a group exhibition in Poznan, Poland, November 2017 Productions as requested from individuals, businesses and citizen’s movements.


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