苺大福 Traditional Japanese sweet with a little twist

標準

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近所のスーパーに行ったら、入り口近くでいきなり「苺大福を作りませんか?」というポップと大福餅と苺が並べてあるのが目につきました。更には、ただの大福餅に十字に切れ目を入れて苺が一つ押し込んである見本もいくつかありました。

単純な私は、そこですぐに大福餅と苺をかごに入れました。

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When I went grocery shopping at a nearby supermarket, at the entrance, I noticed a small piece of in-store advertisement saying “Why don’t make Ichigo (strawberry) Daifuku yourself?” And with it, daifukumochi and strawberries were sold side by side, and some samples of homemade-looking Ichigo (strawberry) Daifuku as well, that is, a daifukumochi with a cross-shaped cut and a strawberry crammed in it.

As a simple person, I put a packet of daifukumochi and a packet of strawberries in my basket right then and there.

Red but a little/

Sour are/

Strawberries/

Translation and calligraphy by Tomoko

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yushokai について

I live in Kyoto, Japan, where I was born and raised. I began practicing calligraphy at age seven under the late Akiyama Kodo, a distinguished master of calligraphy whose calligraphic works are found even today on stone monuments for public parks and fasciae for long-established businesses. Despite my age, I think I am increasingly active in my calligraphic practice. "My works give the impression of lightheartedness and overflowing vitality, evoking the dance of air and the flow of clear water" is what people tell me, I am happy and proud to tell you. My distinct style has attracted many followers both domestic and abroad. Having continued for over half a century to be evolving as a calligrapher, I am never willing to compromise. May accomplishments: Solo exhibition, 2009 and three group exhibitions in Kyoto, Japan (2011, 2013, 2015) Participation in a group exhibition in Poznan, Poland, November 2017 Productions as requested from individuals, businesses and citizen’s movements

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