久しぶりに Practicing on large pieces of paper

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9.10

久しぶりに半切に書いてみました。大きな紙に書くと気持ちはいいけれども、難しい・・・お手本ばかりを見てしまって、全体が見えません。

けれども、展覧会用に、また稽古を再開したときの手本用に、頑張らないと。

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I tried practicing on large pieces after a pretty long interval. Although it is exhilarating to work on larger papers, it is much more difficult. Especially it is difficult to see the whole, because I was just unable to take my eyes off the model.

However, I guess it is about time I should be thinking of holding another exhibition and/or providing practice sessions for beginners.

yushokai について

I live in Kyoto, Japan, where I was born and raised. I began practicing calligraphy at age seven under the late Akiyama Kodo, a distinguished master of calligraphy whose calligraphic works are found even today on stone monuments for public parks and fasciae for long-established businesses. Despite my age, I think I am increasingly active in my calligraphic practice. "My works give the impression of lightheartedness and overflowing vitality, evoking the dance of air and the flow of clear water" is what people tell me, I am happy and proud to tell you. My distinct style has attracted many followers both domestic and abroad. Having continued for over half a century to be evolving as a calligrapher, I am never willing to compromise. May accomplishments: Solo exhibition, 2009 and three group exhibitions in Kyoto, Japan (2011, 2013, 2015) Participation in a group exhibition in Poznan, Poland, November 2017 Productions as requested from individuals, businesses and citizen’s movements

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