なかなか評判良かったです Day two

標準

6.30

主催者がいうことではありませんが、なかなか評判のいい書展になりました。多分、統一感があって良かったし、またそれぞれの人の熱意・熱心さが作品によく反映されているのが、見る人に伝わって良かったのだと思います。

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I know very well it is unusual for a host of an event to say it turned out to be a good event. However, I would very much like to say it was a pretty good exhibition. Firstly, because of the decorum of the exhibition as a whole, and more importantly, I could see the ardor of each calligrapher reflected in their works successfully came across to the visitors.

yushokai について

I live in Kyoto, Japan, where I was born and raised. I began practicing calligraphy at age seven under the late Akiyama Kodo, a distinguished master of calligraphy whose calligraphic works are found even today on stone monuments for public parks and fasciae for long-established businesses. Despite my age, I think I am increasingly active in my calligraphic practice. "My works give the impression of lightheartedness and overflowing vitality, evoking the dance of air and the flow of clear water" is what people tell me, I am happy and proud to tell you. My distinct style has attracted many followers both domestic and abroad. Having continued for over half a century to be evolving as a calligrapher, I am never willing to compromise. May accomplishments: Solo exhibition, 2009 and three group exhibitions in Kyoto, Japan (2011, 2013, 2015) Participation in a group exhibition in Poznan, Poland, November 2017 Productions as requested from individuals, businesses and citizen’s movements

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