伝統って偉い! Long tradition

標準

12.3

 

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鴨長明が方丈記を完成して800年記念の資料展(下鴨神社)ようやく見てきました(すぐご近所なのにね)。
興味深い資料が沢山展示してありましたが、私が一番凄いなあ! と思ったのは、御蔭祭りの様子を描いた屏風絵が今私たちが見る御蔭祭りとまったく同じだったことです。当然と言えば当然かも知れませんが、感動してしまいました。

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I finally went to see the exhibition in commemoration of the 800th anniversary of completion of Houjyouki by Kamo no Chomei held in Shimogamo Shrine, which is located quite near my house. I enjoyed seeing various kinds of displays, among which a painting of the Mitarashi Matsuri festival (in Japanese) on a folded screen was the most impressive to me. For, it shows exactly the same scene of the festival as we see today, which might be something well expected. Still, the fact that the festival we are familiar with today was already painted on the screen so many years ago was quite striking.

yushokai について

I live in Kyoto, Japan, where I was born and raised. I began practicing calligraphy at age seven under the late Akiyama Kodo, a distinguished master of calligraphy whose calligraphic works are found even today on stone monuments for public parks and fasciae for long-established businesses. Despite my age, I think I am increasingly active in my calligraphic practice. "My works give the impression of lightheartedness and overflowing vitality, evoking the dance of air and the flow of clear water" is what people tell me, I am happy and proud to tell you. My distinct style has attracted many followers both domestic and abroad. Having continued for over half a century to be evolving as a calligrapher, I am never willing to compromise. May accomplishments: Solo exhibition, 2009 and three group exhibitions in Kyoto, Japan (2011, 2013, 2015) Participation in a group exhibition in Poznan, Poland, November 2017 Productions as requested from individuals, businesses and citizen’s movements

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